See what is expected for your instrument and discuss that criteria with your teacher.
Thanks for your interest in music at Furman. We are excited to hear you play and will find a place for you in one or more of our studios and ensembles. This is where you will submit your recording, and you will be considered for placement and scholarship as appropriate.
On your video, please include the following:
Furman University Percussion Audition Requirements:
Prepare approximately 10-20 minutes of solo repertoire that best highlights your strengths as a percussionist across as many instruments and genres as possible. This can include:
Auditions will be conducted in a private lesson-style format with commentary and feedback provided from the faculty throughout.
Instruments provided will include:
Other instruments available upon request (please email email@example.com prior to your audition to make the request.):
Dr. Omar Carmenates firstname.lastname@example.org
Furman awards funds each year to an intended composition major. A composition portfolio is required to be considered for this potential four-year scholarship. On the day of your audition, you will be scheduled for a Composition interview in addition to your performance audition and theory placement testing. The faculty will review your information and discuss with you your composition experience to this point, your future goals and opportunities for composition majors.
Prepare and submit your composition portfolio at least two weeks prior to the audition date. Portfolio Requirements:
Dr. Benjamin Dobbs email@example.com
Composition Area Coordinator
For classical guitar auditions, please prepare two full or excerpted contrasting works from the standard solo or etude literature. The faculty will check your ear training and pitch-matching skills with brief aural aptitude exercises. Additional criteria:
Marina Alexandra firstname.lastname@example.org
For jazz guitar auditions, we require you to prepare three brief jazz standards of varying styles. The styles may include blues, ballad, Latin, fusion, or funk, among others. Be prepared to play chords for these tunes as well as improvise a solo within them. Additional criteria:
Dr. Matt Olson email@example.com
Coordinator of Jazz Studies
Matt Dingledine firstname.lastname@example.org
Instructor of Jazz Guitar
For organ auditions, please prepare and perform two contrasting organ solo works with a time limit of 10 minutes total. Auditioning organists will also prepare and perform a single work on the piano (this may be from any historical period). Auditions will include brief pitch matching and aural aptitude exercises. Time for practicing, registration set-up, and warm-up on the audition organ will be scheduled on the day prior to the audition, with a short amount of time available the day of the audition. Dr. Tompkins can be available to assist you with registrations. Auditionees may choose to perform on the 42-stop C.B. Fisk tracker organ in Daniel Chapel or the 29-stop Holtkamp electro-pneumatic organ in McAlister Auditorium. Please indicate on the music scholarship application form which instrument you wish to perform on.
Dr. Charles Tompkins email@example.com
Organ, Church Music
For piano auditions, please prepare and perform one Sonata movement by Haydn, Mozart or Beethoven, and one full or excerpted composition from the Romantic or Contemporary period. An additional Baroque composition would be appreciated but is not required. Additional criteria:
Dr. Derek Parsons firstname.lastname@example.org
Piano, Keyboard Area Coordinator
Candidates for the BM and BME programs should prepare:
At least one of these pieces should be memorized.
Candidates for the BA and non-major programs should prepare two contrasting works from the standard solo literature. Memorization is optional.
Performance time limit:
BM/BME: 15 minutes
BA/Non-Major: 10 minutes
Jazz player? If you are interested in jazz, please prepare a jazz etude, solo transcription, or plan to play and improvise on a standard tune of your choice. Contact email@example.com if questions.
HARP, please prepare and perform two full or excerpted contrasting works from the standard solo or etude literature. The faculty will check your ear training and pitch-matching skills with brief aural aptitude exercises. Be sure to arrive for climate acclamation and tuning. If needed, a university harp is available. Harp auditions are heard by the orchestral string faculty. Additional criteria:
Mrs. Anita Burroughs-Price
Instructor of Harp
Dr. Andy Carlson, Violin and Viola
Dr. Christopher Hutton
Cello, Bass (Area Coordinator)
Guidelines for Recorded Vocal Auditions at Furman University 2020/21
For voice auditions, please prepare and perform two contrasting songs from the art song, oratorio, or operatic repertoire. One-piece should be in English and it is preferred that the second selection is in a language other than English (Italian, Latin, German or French). All audition repertoire must be memorized and performed with piano accompaniment. All auditionees will also have a meeting (via Zoom) with one of our vocal faculty members where they will be asked to sight-sing. You will be contacted by the voice faculty to set up a meeting once your media files are submitted.
Tips for a successful recorded vocal audition:
1. Be prepared! Memorize your music carefully with the correct pitches, rhythms, and diction.
2. Find an accompanist or an accompaniment track for your recorded audition.
3. Preparing your recordings: