Adjunct Instructor of Music, Double Bass and Bass Guitar
A native of Westchester County in New York, Ian Bracchitta performs as a bassist in the classical, jazz and popular idioms. He is the assistant principal bassist of the Greenville (SC) Symphony Orchestra and the principal bassist of the Spartanburg Philharmonic. Ian performs in the bass sections of the Charlotte, Charleston and Hendersonville Symphony Orchestras. As a jazz bassist he has performed with Dianne Schuur, Kevin Mahogany, Kate McGarry, Freddie Bryant, Pat Harbison, George Mesterhazy, Hod O’Brien, Chris Vadala, John Stowell, The Tommy Dorsey, Nelson Riddle and Cab Calloway Orchestras among many others.Additionally, he performs frequently in the southeast in duo, trio and quartet settings. Ian has performed extensively in musical theatre playing with the Broadway national tours of Anastasia, Hello Dolly, Phantom of the Opera, Wicked, West Side Story, Beautiful-The Carol King Story, Legally Blond, A Chorus Line, Chicago, The Sound Of Music, The Producers, Young Frankenstein, The Gershwins’ Porgy and Bess, Evita, Pippin, Grease, 9 to 5, Fiddler on the Roof, Camelot, My Fair Lady, Annie Get Your Gun, Something Rotten, A Gentleman's Guide to Love and Murder, Cinderella, Billy Elliot, Mary Poppins, The Drowsy Chaperone, Ragtime, The Boyfriend, Victor Victoria, Sweet Charity, White Christmas, Annie, The Scarlet Pimpernel among others. He has played orchestrally or as electric bassist for a host of performers including Edwin McCain, Celtic Woman, Burt Bacharach, The Fifth Dimension, Marvin Hamlisch, Shirley Jones, Carol Channing, Martin Short, Rich Little and Red Buttons among many others. Recording credits include Reflections with jazz guitarist Steve Watson, Canadian jazz guitarist Mark Guest’s Happy Together, the duo of Garah and Gregory Landes- Synchronicity: Like Minds, Rebecca Nagle Synthetic Dances - Music for Oboe on Centaur records, Joe Burke Simply Romantic on Revere records, Oracle Evasive Actions and Peggy Haden I’m Glad There Is You
among others. Additionally, he has performed on regional commercials and industrial soundtracks. A dedicated teacher, Ian’s students have distinguished themselves by attending many of the finest music schools in the country. Ian is on the adjunct faculties of the South Carolina Governors School for the Arts and Humanities, Clemson and Furman Universities. He was the visiting lecturer of Double Bass at the University of South Carolina’s
School of Music from 2002-2006 and at UNC-Asheville from 2003-2013. Additionally, Ian maintains a private studio. He received a Bachelor of Music Performance degree from the University of Massachusetts-Amherst, additional studies at the Berklee College of Music. He attended the Westchester Conservatory during high school. Ian is very thankful for his teachers Jack Budrow, Donald Palma, Orin O’Brien, Salvatore Macchia, Michael Moore, Anthony Beadle, Arnold Schnitzer and William Blossom.
- B.M., University of Massachusetts-Amhearst
- Additional Studies, Berklee College of Music
- Salvatore Macchia, University of Massachussetts-Amhearst
- Bruce Gertz and William Curtis, Berklee College of Music
- Winston Jack Budrow, Donald Palma, Orin O'Brien, Michael Moore and William Blossom, Independent study
My philosophy for jazz education is that jazz and improvised music is ultimately an aural language so it is best to immerse oneself at the source: the recorded and transcribed legacy of prior masters and live performances of cutting edge performers and peers. I guide the students to develop an effective approach to instrumental practice and encourage the player's original musical voice to emerge. It is essential to be an active participant, to practice and play often, rather than a passive observer. In this regard, it is additionally important to use the many current tools and technologies available while they survive to be their own innovator.